The New York Times issues a correction note for something they’ve been messing up for 25 years.
Perennial Errata
Writing History
Laila Lalami recently wrote about "How History Becomes Story," but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that "it is your job to force your facts into narrative form."
“Smudged pink harlequin glasses”
Last week, I pointed readers to a Page-Turner essay by Amy Bloom, whose new novel, Lucky Us, came out on Tuesday. Now, as part of the By the Book series in the Times, she talks about her summertime reads, her first picture book and who she’d invite to a literary dinner party. (FYI, we’ve written about the series before.)
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The Begging the Question Question
Just what does it mean to "beg" a question, anyway? And did I just do it, or not? The Book Bench is on the case.
Ur Doing It Rong
"Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany." Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.
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Is a Harper’s Café Around the Corner?
The Oxford American will soon run its own restaurant out of its Arkansas headquarters. Like its associated publication, South on Main will “try and explore the whole breadth of the South.” It will also feature an event space.
Gentlemen of Your Acquaintance
“A wealthy and influential harridan disapproves of you and makes sure everyone within earshot knows it. You don’t give a fig what she thinks. You flutter your fan defiantly.” How to tell if you’re in a regency romance novel.
“so this is the sound of you”
Why not kick off 2012 with former poet laureate W. S. Merwin's poem, "To the New Year"?
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