Sometime Millions contributor and New York Daily News editorial staffer Alexander Nazaryan has kicked off the Daily News‘ new literary blog, Page Views. Nazaryan says, “you may not think of the tabloid as a particularly literary format, but we are going to challenge your assumptions of what constitutes literary/cultural reporting in this town.” His first post, “Don’t tell me the book is dead,” went live this morning.
With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.
Sometimes, when you read a lot of work by a single writer, you end up writing unconscious imitations of their work. The reliability of this effect raises an ourobouric possibility: what if you reviewed a writer’s fiction in their own style? At The Awl, Sarah Marian Seltzer reviews Henry James as Henry James. You could also read Charles-Adam Foster-Simard on binge-reading James’s fiction.
The New York Times dives into why prisons fear the New Jim Crow certain states have gone to great efforts to allow their prisons to ban it and in other states it’s fairly difficult to obtain if you’re a prisoner. We’re big fans of the New Jim Crow here; it was a Millions staff pick and extremely popular on Year in Reading lists back in 2013.