NYU students can take a 4-credit undergraduate course on Occupy Wall Street and America’s debt issues this spring. According to the university’s website, this year’s tuition costs start at $19,672.
Occupy a Classroom
“Neglect everything else.”
“I’ve got to be writing. I have a few ways to make sure I can carve out time. Part one: Neglect everything else. Part two: Get disciplined.” David Mitchell writes about writing and the poetry of James Wright for The Atlantic. Pair with his story in tweets, “The Right Sort,” and Brian Ted Jones‘s Millions review of The Bone Clocks.
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Calling All Grammar Nazis
To quote Raymond Chandler: “When I split an infinitive, God damn it, I split it so it will remain split.” Or, dispelling grammar myths, like not ending sentences with prepositions.
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Oscar Wilde: An Infographic
The Guardian broke down Oscar Wilde’s most enduring and quotable aphorisms, and presented the entire thing as an infographic. For serious fans of the Irish wit, perhaps the effect of this chart may lead to an “infogasm.”
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No, I Will Speak
“How had no one ever told me about (Othello‘s) Emilia, who, in only a couple of lines, brings down one of the most conniving, merciless villains in all of Western literature? How had no one told me about this fantastic female character who defies not one but two sword-wielding men in order to make sure Desdemona, her mistress and friend, receives justice? I wanted to rip up my diploma. I wanted to start over as a freshman and devote my entire undergraduate career to the Gospel of Emilia.” On Othello’s Emilia and her refusal to be silenced.
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The Haints of Language
“Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain,” Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.
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Su Hui’s Masterpiece Palindrome
Chinese poet Su Hui composed an 841-character array in the fourth century that can be read forward, backward, horizontally, diagonally, and vertically. The poem, entitled “Xuanji Tu,” can be read in 2,848 different ways as a result.
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