“Romance heroines hold jobs. They teach, farm, practice law, work independently as private detectives, or they are involved in the arts, in dance, in theater. They are mothers, ex-wives, Marines. They take up causes and they always want something ‘more’ from their lives—and we aren’t just talking about a partner. In today’s romance, the relationship is part of—and often, a catalyst for—a woman’s journey, not her destination.” On the value of romance fiction.
“There is a unity to all of Robinson’s work, and this is part of what makes her so great. Her writing expresses a consistent and compelling vision of the world—a vision that sees the real as revelatory, the everyday as wondrous, Spokane as leading to Galilee.” Anthony Domestico profiles Marilynne Robinson and her new novel Lila, which we’ve mentioned here and here and here, for Commonweal.
Now that the Library of Congress is shut down, it’s as good a time as any to remember why we have it in the first place. At Brain Pickings, Maria Popova looks through a collection of vintage catalog cards, two of which include early entries for A Room of One’s Own and Ulysses.
Don DeLillo’s seventh book was his first big hit, but you’d never know it from looking at the work’s cover or title page. That’s because he wrote Amazons: An Intimate Memoir by the First Woman Ever to Play in the National Hockey League under the pseudonym, Cleo Birdwell. (Bonus: DeLillo’s 2009 story, “Midnight in Dostoevsky” was released from the New Yorker archive this week.)