Ashwin Sanghi first published his book, The Rozabal Line, on Lulu.com under the anagram Shawn Haigins. A revised edition of the book was published by Westland Ltd. & Tranquebar Press much later, and garnered controversy with readers pointing out similarities between its plot and the 26/11 terrorist attack on Mumbai. Sanghi’s response? “Any book based on research could have real life commonalities.”
My Book Didn’t Influence Terrorism
Writing Without Rain
“We don’t yet know how to make it rain. But increasingly, we may be talking about what to do when the rain doesn’t come.” Anna North writes for The New York Times about literature in the age of drought.
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“You are saying you do not exist in the American dream except as a nightmare.”
Make some time this weekend to read James Baldwin and Audre Lorde in conversation, which originally appeared in a 1984 issue of Essence, but has since been reposted by the Museum of Contemporary African Diasporan Arts.
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No Fake Readers
“An appreciation of readers as diverse individuals with different tastes should be a basic tenet of criticism. Instead, it’s common for critics to imagine that their aesthetic preferences are the reflections of “readers” or a special class of readers—“serious readers,” “imaginative readers,” “brave readers,” or some other ill-defined category—whose views truly matter.” Lincoln Michel explains why “there’s no such thing as a fake reader” in an essay for Electric Literature.
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Death by Bookcase
At the Telegraph, Sir Tom Stoppard briefly explains his desire to be killed by a falling bookcase.
A Look at J.K. Rowling
The Casual Vacancy, the first novel for adults by J.K. Rowling, is already breaking records for the highest number of preorders this year. To whet your appetite for the book’s release on Thursday, check out Ian Parker‘s new profile in The New Yorker.
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