The Oxford American‘s thirteenth annual music issue is on shelves now, and it comes with a 27-track mix CD. This year, the OA folks have focused on Mississippi musicians. You can get a free sample on their website.
There’s no official protocol for responding to a disappointed fan, but that may change after more writers get wind of this response, written by Threats author Amelia Gray, to a man who complained that her book was “nothing more than conversations among insane people.” Gray admitted that the man’s gripe did, in fact, have merit, after which she urged him to buy a copy of A Time to Kill.
“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.
As Nick Richardson notes for the London Review of Books, Saul Bellow’s son, Adam, has his hands full these days. When he’s not maintaining a site devoted to conservative “literature,” he’s extolling the virtues of conservative fiction writers you “probably have never heard of — and won’t, if the powers that rule the lit-crit, fanfic, and commercial publishing worlds have anything to say about it.”
Ever spent the whole day reading The Hunger Games and then found yourself paranoid that a tribute was following you? Don’t worry; you aren’t crazy. Turns out that reading a really gripping novel can cause our brains to believe we are in the body of the protagonist, and this effect can last for days after reading according to a scientific study.
For those among us who have missed the eighties, from now until November 8th, Esquire magazine is hosting a special pop-up edition of SPY, that late-millennial stalwart of satirical journalism. Co-founder (and novelist) Kurt Andersen said he was moved to bring the magazine back because “lots more people, pretty much every day, said to me, ‘SPY really needs to be rebooted, if only just for the election.'”
If it’s election satire you want, we highly recommend our own Jacob Lambert‘s literary cagematch: Hemingway vs. Faulkner vs. Trump.
The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.