In a fabulously strange, illuminating, and spooky essay, China Miéville establishes the literary definition of “hauntology.”
“While men weren’t looking, women built a genre that tackles love, sex, pleasure, class, money, feminism, masculinity, and equality.” Jamie Green writes for Buzzfeed about how romance novels have gotten more feminist over the years (and still getting a happily ever after) and people are now starting to sit up and take notice.
Bret Easton Ellis and Paul Schrader are using Kickstarter to raise $100,000 for an indie movie entitled The Canyons. The film “documents five twenty-something’s quest for power, love, sex and success in 2012 Hollywood,” and, if you donate $5,000, Ellis will provide notes on your novel. According to New York, this Ellis-Schrader film is not to be confused with their other one about sharks, alluded to most recently by Ellis in his Paris Review interview (Reg. Req.).
Two writers dive deep into David Foster Wallace’s posthumous Pulitzer finalist novel, The Pale King. Seth Colter Walls takes a look at the tax classes the author took before he began writing, and Eliot Caroom checks the facts laid out in Wallace’s portrayal of the IRS. (Related: the opening lines of The Pale King, and a previously unpublished scene as well.)