David Satter’s It Was a Long Time Ago and It Never Happened Anyway gets reviewed for The Daily Beast. The book is a “sweeping study of how the former Soviet Union’s bloody past continues to poison Russia’s present and threatens to strangle the country’s future.”
Imaginary Russia
Just a Little Chunk of Change
“Located along a private beach on 235 Middle Neck Road, this opulent Gatsby-inspiring estate spans over 5 acres. A mere 25 minutes away from New York City by boat, this home is the perfect scene for a roaring 20s party. Just picture the glitz and glamour of fireworks reflecting across the water at all hours of the night.” For a cool $16.9 million you, too, can live in the home that inspired F. Scott Fitzgerald. Pair with our own Sonya Chung on adding The Great Gatsby to her teaching syllabus.
Seeking an End to eBook DRM
Joe Wikert explains why the book industry needs to learn from the music industry, drop DRM, and adopt a unified ebook format.
“It is difficult / to get the news from poems.”
As part of their 80th anniversary celebration, the Academy of American Poets recently revamped their website. The updated website now boasts such features as “geographically relevant information (such as local poetry events),” “interviews with renowned poets,” and “free lesson plans tailored for K-12 teachers.” Go take a look for yourself. I recommend starting with Sally Van Doren’s poem, “Thief.”
Americanah Interview
Last week we mentioned that Chimamanda Ngozi Adichie‘s novel Americanah will, all going well, become a movie starring Lupita Nyong’o. We also mentioned that she wrote about her Year in Reading for us last year. But wait, here’s more! The Rumpus has interviewed Adichie about Americanah, and it’s well worth the read.
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Salvaging the Unwritten
How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.
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