This is a fantastic piece on W. H. Auden, “The Murder of Lidice”, and the importance of the ideological and political contexts of war. Joanna Bourke writes, “the flood of poems [after the Lidice massacre] actually served to draw attention away from the people of Lidice and towards the swollen sensibilities of the poets and their readers.”
Out this week: The Burning Girl by Claire Messud; The Hidden Light of Northern Fires by Daren Wang; My Absolute Darling by Gabriel Tallent; To Die in Spring by Ralf Rothmann; and All the Dirty Parts by Daniel Handler. For more on these and other new titles, go read our most recent book preview.
Out this week: Men Without Women by Haruki Murakami; The Purple Swamp Hen by Penelope Lively; Since We Fell by Dennis Lehane; House of Names by Colm Toibin; and Woman No. 17 by our own Edan Lepucki. For more on these and other new titles, go read our most recent book preview.
“I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense.” A Vanity Fair interview with Emily Nemens, The Paris Review’s new editor. And here’s a list of 20 reasons you should absolutely be reading literary magazines.
“If only the interest he provokes were limited to his immediate surroundings, but, alas, it is not!… Still farther away, great mountains of data mining sum up, in zeroes and ones, the ultimate truth of his being.” KA Semënova updates Nabokov‘s short story “Signs and Sumbols” (and works by other famous Russian authors) for McSweeney’s, “teh internets” and the digital world.