This holiday season, show a little restraint. Write a short short that uses each word only once, and email it to [email protected] by December 31 at midnight for your chance to win Electric Literature vol. 1 and be published on their blog, The Outlet. Further details available here.
Picador’s Gabrielle Gantz is holding monthly conversations with bloggers, and she posts the results on the publishing house’s fantastic Tumblr. Here she interviews Aidan Flax-Clark, associate editor of Lapham’s Quarterly, and gets him to discuss the similarities between his research and The Matrix.
Is the practice of using writing as a metaphor for birth, or birth as a metaphor for writing, in need of an overhaul? Stephanie Feldman for Electric Literature has some strong opinions on the subject. Motherhood on the brain, now? Check out this moving essay for The Millions on mothers and sons by Rachel Basch.
“I really do hate the idea that black joy itself is a joy derived in spite of. While it may indeed include that, limiting it to such assumes that joy among black people only exists as a defiant response to oppression from white people. I’d rather believe that black folk are capable of this deep supernatural sense without having to be enslaved or disenfranchised.” For the Boston Review, Jericho Brown on poetry and joy.
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
After more than sixty years, Antonio di Benedetto has had his book Zama finally translated into English. The novel, which kicks off in the 1790s, depicts a Spanish administrator named Don Diego de Zama, whose viceroy dispatches him to a town in the scrublands of Paraguay. In the latest New Yorker, Benjamin Kunkel gives his take.
In October 2011, Hannah Gersen convincingly argued that the Occupy Wall Street protests bore more than a few similarities to Bartleby, The Scrivener. Now, amid the political demonstrations going on throughout Turkey, Millions contributor Kaya Genç draws a similar parallel between Istanbul’s “Standing Man” and Herman Melville’s famous protagonist.
“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.
Largehearted Boy has put out an updated installment of his “Blogs to Read.” This year, he modified his approach to include collectively authored sites, “to better include the collaborative websites I read every day.” The Millions is included as are a number of other excellent sites.