In an interview for The Atlantic, Greil Marcus talks about his new book The Doors: A Lifetime of Listening to Five Mean Years. Later on, however, he tosses off his gloves to dismiss the bits about Pauline Kael in James Wolcott’s memoir Lucking Out. “I’m not really interested in what Jim has to say about Pauline,” Marcus says. “He became an acolyte of Pauline’s in a way that was embarrassing to read, when he was mimicking her and celebrating her in The Village Voice.“
Apocalyptic literature is nothing new, but it may, according to Grayson Clary, be entering a new era. In Bookforum, he argues that Benjamin Percy’s The Dead Lands ushers the genre into its mannerist phase. Sample quote: “The Dead Lands is really the stripped, buffed skeleton of a road story, set up to show off—attractively—an enormous quantity of decorating tropes.” You could also read our interview with Percy.
A new “book event crowdfunding platform” currently launched in beta, and it goes by the name of Togather. To get the party started, they interviewed Tumblr guru, Year in Reading alumna and all-around publishing maven Rachel Fershleiser about what it takes to throw a good book event.
We might not get to choose between Peeta and Gale, but we can have Katniss Everdeen’s archery skills. Since The Hunger Games became popular, young girls are picking up bows and arrows more than ever before. Membership at USA Archery has doubled in the past two years, and people are buying recurve bows faster than they can make them. Perhaps they’d also enjoy the Hunger Games day camp we wrote about earlier.
“Secret societies, camorras, mafias, et al., have no place in a detective story. To be sure, the murderer in a detective novel should be given a sporting chance; but it is going too far to grant him a secret society to fall back on. No high-class, self-respecting murderer would want such odds.” -From the much-quoted 1928 essay by SS Van Dine, noted art critic and mystery writer, on the 20 rules for writing detective stories. (via Guardian)
“Among their other contributions to American life are words that some of the Beats marshaled on behalf of wild places. Kerouac, inspired by Snyder’s rapture about a summer spent in the clouds, followed him as a lookout to an area that eventually became North Cascades National Park in Washington State.” Over at The New York Times, Timothy Egan takes a look at poetry’s long, linked history with our national parks.