In an interview for The Atlantic, Greil Marcus talks about his new book The Doors: A Lifetime of Listening to Five Mean Years. Later on, however, he tosses off his gloves to dismiss the bits about Pauline Kael in James Wolcott’s memoir Lucking Out. “I’m not really interested in what Jim has to say about Pauline,” Marcus says. “He became an acolyte of Pauline’s in a way that was embarrassing to read, when he was mimicking her and celebrating her in The Village Voice.“
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
The Size Queens re-conceptualize the album with their release of To The Country, a hybrid iBook/album whose “interpenetrations of song, text, and image” aim to generate new narrative forms. Band member/author Adam Klein writes: “We create these imagined worlds together, simultaneously uncontaminated and corrupted, through metaphor and code. ‘The country’ and the new world of applications are always polyvalent; it is impossible to make them remain at our service.” Also! This textual/aural collaboration features original stories by Lynne Tillman, Rick Moody, Maria Bustillos, and Joy Williams (first line reads: “Daddy didn’t want to be a social being and he didn’t want us to be social beings so here we are.“) Download To The Country here (it’s free!) and read/listen/weep.
A group of researchers from the University of Cambridge is using Twitter to help research the rapidly disappearing Welsh language “[because] tweets don’t follow the conventions of written language” and instead “provide an authentic snapshot of spoken language.” (Bonus: Twitter’s stunning visualizations of “tweet geography.”)
For years, one of the best ways to make a living as a writer (if you didn’t want to go into academia) was to become an ad copywriter. They heyday of print was flush with opportunities to make bank off billboards and publications. At The Paris Review Daily, Dan Piepenbring looks back on the ad copy of Fay Weldon, who gave the UK, among other things, the slogan “Vodka makes you drunker quicker.” (Related: Hope Mills on working for a creative agency.)
Considering his experience as a musician and comedian, it makes sense that Jacob Rubin wrote his new novel about a performer. The Poser depicts the tumultuous career of a talented impressionist. At Bookforum, Rubin talks about the novel, his career as a screenwriter and his knack for impressions as a child. You could also read his interview with Reif Larsen here at The Millions.