This essay on the proliferation of gossip in journalism is adapted from Joseph Epstein’s Gossip: The Untrivial Pursuit. In it, Epstein discusses the problem of “how straight-up, no-apologies public gossip has infected standard, or what once might have been called respectable, journalism.”
Chances are you’ve heard that in a recent interview, Claire Messud responded to a patronizing question about one of her characters -- “I wouldn’t want to be friends with Nora, would you?” -- by giving her interviewer a smackdown that resonated across the blogosphere. At Page-Turner, several authors (including Rivka Galchen, Jonathan Franzen and Year in Reading alumna Margaret Atwood) offer their own takes on the matter of "likeability." (There's also this piece by our own Emily St. John Mandel to consider.)
Diane Keaton writes in her upcoming memoir, Then Again, that "Going out with Woody Allen was like being in a Woody Allen movie."
"I rather like the idea of just using a few brushstrokes to create a whole world. And, of course, with Twitter you do that, you can tell a very big story in a few lines." Books and Arts Daily talks with Alexander McCall Smith about the new art of Twitter fiction. Pair with the full text of David Mitchell's Twitter story "The Right Sort," exclusively on The Millions.