Here’s a year-end series with some sharp teeth. In the spirit of The Partisan Review‘s provocative questionnaire from 1939, Full Stop is asking dozens of writers “specifically political questions”. The series began yesterday with Marilynne Robinson.
Full Stop Goes Partisan
Research
Two weeks ago, Tod Goldberg came out with a new novel, Gangsterland, that centers on a hit man in the Chicago Mafia. At The Nervous Breakdown, you can read an excerpt of the novel, as well as one of their trademark self-interviews, in which Goldberg explains that for the past three years, he’s been “writing and writing and writing. But sometimes, that just means I’m not writing at all.” You could also read the author’s dispatch from AWP.
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“I would leave everything here”
Recommended Reading: László Krasznahorkai’s “I Don’t Need Anything from Here,” which might be one of the shortest sentences he’s ever written.
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Limning in 140 Characters
A satirical Michiko Kakutani Twitter presence has emerged, and the (allegedly) real critic has some guesses as to the doppelgänger’s identity. EDIT: Lindsay Goldwert’s helpfully rounded up the gossip.
Language is a Passport
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
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The Fire in Fiction
In the wake of the Notre Dame fire in Paris, Victor Hugo's classic novel, 'The Hunchback of Notre Dame,' has risen to the top of France's bestseller list.
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(Do Not) Steal This Book
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.
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