Here’s a great article about the underrated Soviet/Yiddish writer Pinkhes “Der Nister” Kaganovich.
I’ve long thought that New Orleans is the greatest city in America and that it’s nigh impossible to make it much better. That was before Tulane University announced that Salvage the Bones and Men We Reaped author Jesmyn Ward will be joining their faculty. Let it be thus known: on July 1, 2014, New Orleans will get even better than I could’ve imagined.
With the help of the folks at Ploughshares and Medium, Year in Reading alumna Megan Mayhew Bergman is publishing a Choose-Your-Own-Adventure literary short story. To participate, read the first chapter (as well as the introduction) online, then tweet Bergman to tell her where the story should go from there.
What is deracination, and why is it key to understanding American fiction? In her novel Housekeeping, Pulitzer laureate Marilynne Robinson defines it as “the free appreciation of whatever comes under one’s eye,” inspired by the Western sentiment of “feeling no tie of particularity to any single past or history.” In the Boston Review, Jess Row states that deracination is “a long-lived and nearly universal trope in white American literature,” claiming it represents “an American ideal: not to strip from the roots, but to de-race oneself.”
The International Writing Program at the University of Iowa is offering two seven-week online seminars free of charge this summer: Advanced Poetry and Poetry Masterclass. The seminars are intended for emerging and published poets, respectively, and they will be taught by Micah Bateman and Nick Twemlow. Anybody with an internet connection is allowed to apply, and applications are due May 8th.