Here’s a great article about the underrated Soviet/Yiddish writer Pinkhes “Der Nister” Kaganovich.
A Russian publisher has stooped to a new low: it added “fake quotes from fake newspapers on the cover of a … novel released this summer.” That’s not all, either. Apparently the publishers are trying to bill the book as a “Swedish” crime novel even though it was actually written by a Russian under a pseudonym.
Two ways of looking at a book: "Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page."
"Much of what passes for advanced literary scholarship these days is dreadful twaddle -- incoherent, emotionally empty, deeply illiterate," says Terry Castle in a recent interview with Salon about her new book of essays, The Professor. You can also catch Castle in the most recent issue of The New York Times Magazine.