The Harry Ransom Center has scanned and uploaded the syllabus from David Foster Wallace‘s Fall 1994 section of English 102: Literary Analysis.
David Foster Wallace Syllabus
Home in the Apocalypse
“My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort.” Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
Must’ve Been a “Ruff” Proofread
Aspiring authors, take note. If you want to sell your latest book, grow another set of legs, some fur, and bark adorably. That’s what earned Uggie, the dog from The Artist, his forthcoming memoir, Uggie: My Story. Suddenly, our dog-book pun-a-thon from a while back seems prescient.
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“God put the needle on the disc of Saturn / The record he played revealed blueprints and patterns”
GZA has teamed up with top cosmologists and physicists from MIT and Cornell to produce his latest album, Dark Matter. The album is the first in a series “designed to get a wide audience hooked on science.”
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Back in the High Life Again
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
Is it just a Russian thing?
Jennie Erdal asks, “What is the modern equivalent of the philosophical novel?”
Tuesday New Release Day: Sebald; Ugresic; Storace; Nunn; Mailer
Out this week: A Place in the Country by W.G. Sebald; Europe in Sepia by Dubravka Ugresic; The Book of Heaven by Patricia Storace; Chance by Kem Nunn; and new paperback editions of Norman Mailer’s Ancient Evenings and Tough Guys Don’t Dance.
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