“Charles Dickens had orphanages and workhouses, the Brontë sisters had the wild moors, and modern writers have high school.” So begins L.A. Times television critic Mary McNamara‘s take on The Vampire Diaries, the CW’s answer to Twilight (premiering tonight at 8). The show is loosely based on L.J. Smith‘s books of the same name and McNamara gives it a qualified thumbs up. She concludes that this latest addition to the vampire canon is “pure froth, but it is very welcome froth, especially in a genre that seems sometimes in danger of taking itself a little too seriously.”
“There is, however, more to these poems than just the occasional chuckle. The Google autocomplete suggestions are based on previous searches by actual people all around the world. In the cold blue glow of their computer screens, they ask ‘why am I alone’ and ‘why do fat girls have high standards’. They wonder how to roll a joint and whether it is too early to say ‘I love you’. They seek information on ninjas, cannibals, and Rihanna, and sometimes they just ask ‘am I better off dead?’”
What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.