Chilean Communists want to exhume Pablo Neruda’s body to determine his actual cause of death. The endeavor is being undertaken because Neruda’s “former driver said he received an injection which provoked a heart attack.”
Back When Poets Had Drivers
The Wire as a Victorian Novel
And now for something completely different… The Wire reimagined as a Victorian novel and analyzed in a funny, yet sharp satire piece.
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8-bits on 8-bits on 8-bits
From the folks who brought you 8-bit illustrations of 8 Short Stories’ Opening Lines, get a load of 10 Classic Novel Covers in 8-bit form. Together, this might be enough to actually make you want to listen to Anamanaguchi.
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Late American Novel Love
The brief excerpt of The Late American Novel that appeared in the New York Times Magazine this past weekend was also the first appearance of “A Tiny New Culture Section With No Name,” part of the Magazine’s redesign. At the Magazine’s “behind-the-scenes” blog, Editor Adam Sternbergh talks about the tiny new section and has some very nice things to say about The Late American Novel as well.
Tuesday New Release Day: Proulx; Ausubel; Notaro; de Botton; Cline
Out this week: Barkskins by Annie Proulx; Sons and Daughters of Ease and Plenty by Ramona Ausubel; I’m Just a Person by Tig Notaro; The Course of Love by Alain de Botton; and The Girls by Emma Cline (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
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Vote Knope
The most important news of 2013 so far: Parks and Recreation star Amy Poehler is currently writing a memoir, to be published in fall of 2014.
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Blame the Superheroes
Don’t expect to hear from Alan Moore anytime soon. He is withdrawing from public life after accusations that his comics include racist characters and too much sexual violence toward women according to an interview with Pádraig Ó Méalóid. He also took the opportunity to disparage society’s obsession with superheroes, which probably won’t win him any more fans. “To my mind, this embracing of what were unambiguously children’s characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence.”
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Biography: The Story of Our Times
“There is one rule [to writing biography] that all who try their hand at it come to know: until the protagonist reveals his or her character—his or her inner self—what the biographer produces is less a life than a report, an autopsy rather than the record of a séance.” David Levering Lewis writes for The American Scholar about biography and writing “the lives of African-American figures, and [finding] in them the story of our times.”
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