A lot of people were outraged by initial reports of Amazon’s price-check promotion, and a lot of that had to do with misinformation. Thankfully, Richard Russo sets the record straight about at least one point of contention. (The discount doesn’t apply to books.)
“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
Readers of Millions Originals ebook Epic Fail are deeply familiar with Tommy Wiseau’s heroically bad 2003 film, The Room. So, too, are people masochistic enough to sit through the actual movie. Together, they might be wondering how such a production came to be – and how it came to fail so horribly. Well, finally a new book co-authored by Greg Sestaro and Tom Bissell seeks to answer that question. You can check out an excerpt over here.
Edmund White considers writers’ obsession with New York City in the 1970s, with photography by Peter Hujar. As White puts it, that was “a place and a time in which, rich or poor, you were stuck together in the misery (and the freedom) of the place, where not even money could insulate you.”
Out this week: Between Them by Richard Ford; No One Can Pronounce My Name by Rakesh Satyal; The Leavers by Lisa Ko; The Dinner Party by Joshua Ferris; My Life with Bob by Pamela Paul; One Day We’ll All Be Dead and None of This Will Matter by Scaachi Koul; Season of Crimson Blossoms by Abubakar Adam Ibrahim; Homing Instincts by Sarah Menkedick; and a new edition of Chinua Achebe’s African Trilogy. For more on these and other new titles, go read our most recent book preview.