Want to learn more about our acclaimed, annual Year in Reading series? At Electric Literature, I talk about how it started, how we put it together, and some of my favorite entries from years past.
A Peek Behind the Curtain
Why Book Critics Matter
Let us now praise professional book reviewers, like them or not. And speaking of reviews, Niall Ferguson threatens the L.R.B. with legal action over a negative review of his new book, Civilization (via).
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Comedy Central Books
Comedy Central will team up with Running Press to launch a joint publishing venture called Comedy Central Books. Their first title will be a “holiday themed novelty book” by Denis Leary. Fun Fact: Leary is Conan O’Brien’s third cousin.
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On Kenny’s Window
Maria Popova writes about Kenny’s Window, Maurice Sendak’s “debut as a storyteller.” Our own Emily Collette Wilkinson reflected on Sendak’s vision upon his passing.
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1Q84 Coming Fall 2011
According to Millions reader James who emailed Random House, the publisher has plans to put Haruki Murakami’s 1Q84 out in fall 2011. Millions contributor Ben has covered much of the news surrounding Murakami’s mysterious new novel, which was recently published in Japan, including the recent revelation that there will be a third volume.
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Wild Things
Where The Wild Things Are, the beloved children’s story written and illustrated by Maurice Sendak, arrives in US theaters in cinematic form this Friday, October 16th; see the trailer here. The excellent Spike Jonze (Adaptation, Being John Malkovich) directs.
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“My body belongs to me; / to others its mastery.”
Landays are traditional two-line folk poems, and they are particularly popular among Afghan women these days. Recently Poetry magazine dedicated an issue to the short verses, and Dowser has a behind-the-scenes look at how the issue was put together. Previously, New York Times Magazine caught up with some members of Mirman Baheerm, a women’s literary society based in Kabul.
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Not for Kids
What makes an idea too odd to sustain a children’s book? The answer: characteristics that make it, as Steven Heller explains, “so high concept or clever [it’s] deemed difficult for a child to enjoy.”
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