Apropos of yesterday’s round-up of Russian social unrest: the children of Russia’s 1%.
“на один процент” is “one percent” in Russian
Apple’s Foray into Education Publishing
If you missed Apple’s “Education Announcement” last Thursday, you can check out Peter Kafka’s play-by-play coverage of the event for AllThingsD. The whole affair made quite a splash because the biggest publishers in the world today are education publishers. The star of the show was iBooks 2, and it has many people talking: some view it as education publishing’s savior, some fear it, and others think its EULA is downright creepy. At least one person believes the whole idea might’ve been the brain child of a lowly intern. And, finally, what should we make of Steve Jobs’ 1996 admission that “what’s wrong with education cannot be fixed with technology?”
The Wire
The October 15 Boston Book Festival boasts a lot of wonders, but one event you shouldn’t miss is “The Wire” writer and producer George Pelecanos alongside series cast members. They’ll discuss “issues of race, class, and institutional failure as portrayed by the most critically-acclaimed series in television history.” Last month, a similar event was held at Housing Works Bookstore Cafe to launch the issue of Criticism dedicated to “Why The Wire (Still) Matters“.
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The Queen Died of Grief
Must female characters always stand in the shadow of the institution of marriage? Ivan Kreilkamp writes on female bachelors, from Renata Adler’s Speedboat to Elizabeth Hardwick’s Sleepless Nights. Pair with this Millions essay on Adler’s piecemeal novel.
Interview with A.S. Byatt
Guardian posts an interesting video interview with A.S. Byatt about poetry, her novel The Children’s Book, and our persistent interest in ourselves.
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A Slumbering Rooster Begins to Twitch
2010 is soon to be over. That means that The Morning News Tournament of Books is almost upon us. Two excellent developments this year: 1) the folks behind the Rooster have released the longlist of titles under consideration to make the final 16 (including The Singer’s Gun by our own Emily St. John Mandel) and 2) they have left one judging spot open that you (you!) can apply to fill.