Let us now praise professional book reviewers, like them or not. And speaking of reviews, Niall Ferguson threatens the L.R.B. with legal action over a negative review of his new book, Civilization (via).
“At first blush, bringing an eight-year-old to one of William Shakespeare’s quirkier plays in an effort to help her see herself, an Asian American girl, in popular culture did seem a rather odd decision.” Nicole Chung for Hazlitt on The Winter’s Tale, representation, and parenting in the age of Trump. And wouldn’t you know it, we have a piece specifically about that very play – “three/fifths wintry tragedy, two/fifths vernal comedy, and wholly a masterwork” – right here.
“It’s strange to keep confronting, in these stylistic ways, how you were constructed. What you were constructed to be in the world.” Margo Jefferson sits down with BOMB Magazine to discuss feminism, class, and her memoir, Negroland. Our own Michael Bourne writes on the art of memoir.
For writers, and readers, who aren’t making the annual pilgrimage to AWP, The Millions and Big Other join forces this weekend to offer a NYC alternative, A Reading and Conversation with Four Great Writers: Vijay Seshardi, Rachel B. Glaser, Alexandra Chasin, and (our very own) Sonya Chung. At Unnameable Books in Brooklyn on Saturday, starting at 5pm. Drinks will be served. Please Join Us!
Congrats are in order for Sergio de la Pava, who just won the $25,000 PEN/Robert W. Bingham Award for his debut novel, A Naked Singularity. For more on the novel, which holds an illustrious place in our Hall of Fame, check out our own Garth Risk Hallberg’s profile of the author from last year.
In the spring of 2006, John Unsworth taught a graduate seminar on “Twentieth-Century American Bestsellers.” It led to one of history’s finest class projects–a browsable database of bestsellers, 337 in all. As with any bestseller lists, you’ll find a range of titles, everything from Thomas Wolfe to Tom Clancy, but click through and find that each entry includes an extremely detailed description of the book’s history (these were compiled by graduate students, after all); a mini-essay on its reception; images of covers, page layouts, and even some ads; and more. It is, in short, bibliophilic crack. (Thanks Craig)