Let us now praise professional book reviewers, like them or not. And speaking of reviews, Niall Ferguson threatens the L.R.B. with legal action over a negative review of his new book, Civilization (via).
“In Proust’s case, I think he helps us to see the world as it really is, not only its extraordinary beauty and diversity, but his observations make us aware of how we perceive and how we interact with others, showing us how often we are mistaken in our own assumptions and how easy it is to have a biased view of another person.” William C. Carter makes an argument as to why we should still read Proust. Our own Hannah Gersen has started a Proust Book Club.
As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
Alex Stone reviews Guns N’ Roses founding member Duff McKagan’s memoir, It’s So Easy. It’s a book, Stone writes, that’s “intoxicating — in a pancreas-wrenching sort of way.” Bonus: McKagan’s Year in Reading for our site back in 2011.
It takes a certain skill to link Taipei by Tao Lin, My Struggle Part I and Part II by Karl Ove Knausgaard and an old book on Italian painting in a single essay, but Zadie Smith is (naturally) the writer for the job. In a new piece for The NY Review of Books, she asks the reader to “imagine [a drawing of a corpse] represents an absolute certainty about you, namely, that you will one day be a corpse.”