Stephen King, Haruki Murakami, Chris Adrian, James Frey, and Peter Nádas are all in the running for the 19th annual Bad Sex Award. The award will be presented by the UK’s Literary Review on December 6th. Last year’s prize(?) went to Rowan Somerville for his work(?) in The Shape of Her. If you’d like to read snippets of the sex scenes in question, check out the publication’s Twitter feed.
Gary Indiana posits that “no current literary label appealingly describes the kind of narratives [Renata Adler’s] Speedboat and Pitch Dark are.” This might be true. However in the name of moving forward with discussion, perhaps we can all go with Matthew Spektor’s summation of Adler’s debut novel: “if it’s ‘like’ anything at all, a steeplechase of [dazzling] hurdles could be it.”
Miranda July’s new project, It Chooses You, is a store based on her new book (published by McSweeney’s) of the same name. The store, at Partner’s and Spade in SoHo, is an exercise in buying belongings from New York-area Craigslist sellers and reselling the contents for the exact same price.
“Our culture has focused so much attention on the most visible members of the Black Panthers that it has been easy to forget it was a nationwide organization — an entity that needed to attract ordinary people who believed in something and were also willing to work for it.” In the Times, Rembert Browne reviews two new books about the Black Power movement.
“Romance heroines hold jobs. They teach, farm, practice law, work independently as private detectives, or they are involved in the arts, in dance, in theater. They are mothers, ex-wives, Marines. They take up causes and they always want something ‘more’ from their lives—and we aren’t just talking about a partner. In today’s romance, the relationship is part of—and often, a catalyst for—a woman’s journey, not her destination.” On the value of romance fiction.