“The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were ‘neatly and modestly dressed,’ it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.
Those following this weekend’s events in Tripoli will no doubt be interested in Banipal‘s issue dedicated to Libyan fiction. And, as Moammar Gaddafi‘s reign appears to be ending, the Guardian‘s evisceration of his short stories is worth a read. On NPR‘s site, Hisham Matar also explains the influence of Gaddafi’s rule on Libyan writing.