Last week, a lot of people were disappointed by Time‘s decision to “water down” the latest issue’s cover for its American audience. As a follow-up, ShortFormBlog takes a look at the publication’s history of doing this, and also their reasoning.
Time Magazine Goes Soft
Kenneth Lawrence Beaudoin, poet laureate of the river
There are poet laureates for all sorts of things these days – Queens Borough, San Mateo County, Twitter, you name it – but this is the first time I’ve heard of someone being dubbed “poet laureate of the river.”
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#ThisIsWhere The Sun Bakes Our Chancletas
To kick off South Florida’s O, Miami poetry festival (which I’ve written about before), event organizers and WLRN staffers are asking local residents to snap photos of “a place in South Florida that means something to [them],” and “write a short poem about it including the phrase ‘this is where.’” Then, share the poems and photos on Twitter or Instagram for a chance to be featured throughout the month of April. Meanwhile, the New York Times is on it.
Tuesday New Release Day: Harkaway, Nescio, Lehrer, Kerouac, Galassi
New this week are Nick Harkaway’s Angelmaker (reviewed here), Nescio’s Amsterdam Stories (reviewed here), Jonah Lehrer’s Imagine: How Creativity Works, Jack Kerouac’s “lost novel” The Sea is My Brother, and a new collection of poetry from Jonathan Galassi, Left-Handed.
The Ministry of Fear
“Nowadays, we tend to place spies into a cold war narrative: East vs. West, intrigue around the Berlin Wall, Graham Greene’s Vienna, and George Smiley’s London. But the first and most successful Soviet spies emerged much earlier.”
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Weekend Reading: David Foster Wallace Edition
Looking for something to read this weekend? Perhaps you should work your way through The Electric Typewriter’s round-up of 19 essays by David Foster Wallace.
The Peculiar Art of Rare Books Catalogues
“Our catalogues cost £5,000 to print and distribute (in envelopes! with stamps!) to the 800 people on my mailing list, 790 of whom will not order from it.” Rick Gekoski at Guardian looks at the peculiar art (and commerce) of rare books catalogues.
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