As Le Petit Prince author Antoine de Saint-Exupéry said, “The aeroplane has unveiled for us the true face of the earth.” Perhaps that can be extrapolated for satellites, too. Either way, if this incredible, orbital HD Vimeo footage doesn’t move you, then I don’t know what could.
Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
Paris Review editor Lorin Stein sat down alongside James Salter, Mona Simpson, and John Jeremiah Sullivan to discuss the magazine’s sixtieth anniversary with Charlie Rose. At one point Stein admits that, “If you wrote about sex the way Jim [Salter] writes about sex … in nonfiction, you would be a sociopath.” (Bonus: Stein writes about John O’Hara for The New Yorker.)
Well-Read Black Girl, a Brooklyn-based book club and online community celebrating “the uniqueness of Black literature & sisterhood,” has launched a Kickstarter campaign to fund its inaugural writers’ conference and festival. Past WRBG book club guests include Year in Reading alums Jacqueline Woodson and Angela Flournoy, whom we also interviewed about her debut novel The Turner House.
In The Age of The Crisis of Man, a new book by n + 1 co-founder and editor Mark Greif, the author examines the life and death of the concept of “man,” aka a unified humankind that could be said to suffer from particular conflicts. It was born in the thirties, with the rise of Fascism, but persisted for decades, eventually giving way to a more diversified view of humanity. In Tablet, Adam Kirsch dives into Greif’s arguments.