Farrar, Straus & Giroux will team up with GQ for something called “The Originals Series.” The series, as stated in a blog post from FSG’s digital marketing manager, will consist of “authors and musicians in conversation, hosted by David Rees (Get Your War On, Artisanal Pencil Sharpening, Kale City), in an intimate West Village loft space. We’ll film each event and edit it down to a compelling short film for broadcast online.” You can RSVP to the November 8th kick-off, which features John Jeremiah Sullivan and the Brooklyn-based band Caveman, here.
Out this week: Black Glass by Karen Joy Fowler; The Festival of Insignificance by Milan Kundera; The Book of Speculation by Erika Swyler; The Little Paris Bookshop by Nina George; The Truth and Other Lies by Sascha Arango; Tradition by Daniel Khalastchi; and Music for Wartime by Rebecca Makkai. For more on these and other new titles, check out our Great 2015 Book Preview.
Recommended (and timely!) reading: Christy Wampole on why “You Will Never Be Able to Thank Your Mother Enough.”
“The rest of the morning went like that. We did synchronized clapping. We did active listening. We did a role-play exercise in which I was a girl waiting for a bus and Karloff was a masher, but when I started flirting back, she didn’t like it. I got four more cups of coffee and felt brokenhearted when my bottle gave up its last drop.” Philip Marlowe attends a court-mandated women’s studies workshop.
A decade before Matt Groening created The Simpsons, he debuted his first comic, Life in Hell, at a record store in Los Angeles. The strip kept running for thirty-five years, even after The Simpsons brought its creator international fame. He decided to end it earlier this year, and his fans (including Alison Bechdel) are paying tribute.
We get it, you’re into finance — but what can you tell me about lit crit? This piece from The Atlantic purports to show how literary theory has its place in the world of finance: “The act of imagining the future in finance goes by other names—’vision’ and ‘invention’ are among the more respectable euphemisms—in order to disguise the presence of the non-rational in financial activity. But rarely do scholars explore the role of imagination in economic life systematically. In a realm dominated by economic and financial scholarship that aspires to be ‘scientific,’ fantasy and creativity in envisioning the future are often ignored; they don’t fit well into a model of research whose aim is to reduce unknowns and to eliminate surprises as much as possible.”
The O.E.D., the ultimate bibliophile’s extravagance may never again appear in a new print edition, according to the New York Times. (via)”The most talked about books of the 2008 spring season,” according to European newspapers.Like Kennedy buffs hunched over stills from the Zapruder film, Bolaño enthusiasts may find themselves scrutinizing the cover design for 2666 (featured on the back flap of the galley).Wyatt Mason, one of America’s best critics, enters the blog fray. As does The New Yorker.”The idea that a university education is for everyone is a destructive myth.“