Farrar, Straus & Giroux will team up with GQ for something called “The Originals Series.” The series, as stated in a blog post from FSG’s digital marketing manager, will consist of “authors and musicians in conversation, hosted by David Rees (Get Your War On, Artisanal Pencil Sharpening, Kale City), in an intimate West Village loft space. We’ll film each event and edit it down to a compelling short film for broadcast online.” You can RSVP to the November 8th kick-off, which features John Jeremiah Sullivan and the Brooklyn-based band Caveman, here.
I hope you had your Wheaties this morning, because this one is a doozy. Scientists at Poland’s Institute of Nuclear Physics have discovered complex “fractal” sentence patterning in classic works of literature that is nearly identical to “ideal” mathematics. Maybe Finnegans Wake does make sense, after all.
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question — do money woes inspire writers to greater heights of creativity?
This Friday Slate will premiere its first monthly book review feature. On the first weekend of every month, the Slate Book Review will take over the site’s main page. Senior culture editor Dan Kois told the New York Times that he was displeased to watch newspaper after newspaper scrapping their book sections; “it didn’t seem to me that there was less of an appetite for good writing about books.”
“I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences,” says James Salter in his interview with Jonathan Lee. “It’s flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself.” As it happens, our own Sonya Chung reviewed Salter’s latest book this week, and she, too, remarked on Salter’s desire “to ‘get past the great writer-of-sentences thing,’ and presumably the ‘writers’ writer’ thing.”
On behalf of every reader / HBO viewer who has spent days upon days in Westeros and is beginning to get a little anxious for Game of Thrones updates, Entertainment Weekly has spoken with George R. R. Martin himself to confirm publication plans and talk about the television series. That’s not to say that Martin is committing himself to any hard and fast schedule, though. “My plan right now is still seven,” he says, referencing his A Song of Ice and Fire series. “But first I have to finish Book Six. Get back to me when I’m half-way through Book Seven and then maybe I’ll tell you something more meaningful.”