It’s voyeuristic, confessional, cathartic, and sometimes downright funny. It’s The Books They Gave Me, a Tumblr where people share the books their exes gave as gifts.
Jeff Ragsdale (Jeff, One Lonely Guy) produced, shot and edited an “immersion documentary” in which he accompanied Canadian escorts on hundreds of calls over a span of several months. The half-hour film is entitled “30 Nights with a Call Girl.” Millions readers may recall Ragsdale’s work from its mention in our own Sonya Chung’s essay “On Loneliness.”
“You’re following some cute glyph about smoking, then one about stationary, then dirty dishes and some mischievous cat—then it’s suddenly ‘Not your father’s safari jacket’ followed by pearl puddles, LIBERATOR dildos, Quaker teens, rehab, troubled teens, and more jackets. It’s like a mini-Buñuel movie! And they expect you to keep following along with Malcolm Gladwell, or whoever it is, over there to the left? Why would you? You want to shout, Hey Malcolm, can you shut up about Twitter and explain the neo-surrealist montage unfolding perversely in the margins?” The strange amalgamation that is the magazine ad column.
Much fuss was made about Barack Obama’s ex-girlfriends this week, as an excerpt from David Maraniss’ forthcoming Barack Obama: The Story was published in Vanity Fair. Of course, we sophisticated book readers care less about the man’s old flames than we do his literary pursuits, right? That’s why Mr. President’s analysis of T.S. Eliot’s poem “The Wasteland” is so interesting.
“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
“While the revolutionary milieu that was the source of many of the book’s events may have vanished, we have our own milieu.” At The Rumpus, Will Augerot re-evaluates John Dos Passos’s The USA Trilogy. He concludes that Dos Passos is more relevant than ever. Pair with: Our essay on the polyphonic novel.