Read Me an E-Book

There’s just something about David Foster Wallace‘s writing that makes people want to adapt it. We’ve written about this phenomenon before – there have been Infinite Jest-inspired radio tributes and music videos, series of illustrations, even a novel-in-legos. Interest in adapting Wallace’s work doesn’t seem to be slowing, and earlier this month Public Theatre put on an experimental performance of passages of his writing and interviews, A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again, which both Salon and Hyperallergic reviewed.

Our own Kevin Hartnett has an interesting theory as to how Charles Dickens came up with the idea for A Christmas Carol. At The Boston Globe, he looks at the evidence that Dickens got inspiration from the amateur writings of millworkers in Massachusetts.

“This year wasn’t short on the best kind of book: the type that polarizes opinion.” The New Republic reviews the most divisive books of the year. Included is our own Garth Risk Hallberg’s City on Fire. Check out opening lines from the story and an interview with the author.

“The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were ‘neatly and modestly dressed,’ it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.