Coming in 2012: Pop-Hop Books & Curio. Located in the Highland Park neighborhood on the east side of Los Angeles, Pop-Hop will be “a creative retail environment merging a bookstore and project space.” More information, as well as some opportunities to support the project, are available at the shop’s Kickstarter page, and also on its Facebook page.
This week in the New Yorker Jane Hu analyzes the “dispassionate first-person narrators” prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. “Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian.”
If you want to read a book with obscenity in it in Russia after July 1, you’ll find it in a sealed package with a warning label. The law is the latest in Vladimir Putin’s censorship crusade and also bans swearing in films and live performance. Interestingly, the banned words are still up for the debate by the Ministry of Culture. At The New Yorker, David Remnick discusses just how unique and diverse the Russian language’s profanity is.
“In no particular order, except one of hallelujah, here’s a necessarily partial list of some other living Korean American writers whose work or person, or both, I’ve had the great good luck of encountering”….you’ll have to read the interview for the lengthy list as well as the thoughts of four Korean American writers who gathered at the behest of R.O. Kwon to discuss the influence and impact of Alexander Chee. It’s full of beautiful insights from Kwon, Nicole Chung, Alice Sola Kim, and Matthew Salesses such as “Alex said he ‘wanted to plant that flag in the culture,’ and until he said that I don’t know if I’d thought about it as a reason to write. The need to exist in the canon, in the literary world. I found that very powerful, and very brave”. Chee’s newest book is an essay collection, How to Write An Autobiographical Novel, that we eagerly anticipated last month.
Check out this interview with Andi Zeisler, author of We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement. “Capitalism, ultimately, it’s not about equality, it’s not about social justice. It doesn’t care about fixing fundamentally unequal systems that impact humans on an everyday level. Critical thinking is the really important skill, to [ask], does it seem like this is a company or a brand that really cares about women?” Our own Edan Lepucki’s piece on feminist anthems complements the interview nicely.