Little, Brown & Company has pulled a mystery novel from the shelves after passages in the book were found to have been plagiarized from “a variety of classic and contemporary spy novels,” like James Bond novels and books by Robert Ludlum and Charles McCarry.
Plagiarizing James Bond
Close Call
After losing funding last spring, the Orange Prize has experienced a rebirth, gaining new financial backers and changing names; it will now be known as the Women's Prize for Fiction.
●
●
He Is the Madding Crowd
Thomas Hardy was one cold dude. Read some of these excerpts from his letters and find your day ruined. Highlights include a critique of a prime minister's funeral and his excitement at the hanging of Elizabeth Martha Brown, accused of killing her husband. Here's a Millions piece on the difficulties of teaching Hardy in 21st-century Florida.
●
●
A Japanese Country Doctor
Recommended viewing: Kafka's "A Country Doctor" translated into Japanese animation.
●
●
The New Yorker on Flanagan
Recommended reading: The New Yorker's Amelia Lester reviews Richard Flanagan's "love story set amid horrific historic events," The Narrow Road to the Deep North, which just won the 2014 Man Booker Prize.
Must’ve Been a “Ruff” Proofread
Aspiring authors, take note. If you want to sell your latest book, grow another set of legs, some fur, and bark adorably. That's what earned Uggie, the dog from The Artist, his forthcoming memoir, Uggie: My Story. Suddenly, our dog-book pun-a-thon from a while back seems prescient.
I’m Nobody! Who Are You?
"[L]et’s not pull punches — misogyny has disfigured how Dickinson’s story is told. We’re missing out on a fierce mind when we reduce her to a spinster perseverating alone in her room writing poems to the ether." A new Emily Dickinson exhibition proves the poet wasn't nearly as much of a recluse as we've been led to think, writes Daniel Larkin for Hyperallergic. Pair with this piece on Paul Legault’s English-to-English translations of her poetry, which "transports Dickinson into mostly fortune-cookie length snippets of contemporary English, a dialect spoken widely in urban pockets like Brooklyn, where increasing numbers of the highly educated and literary classes live, procreate, keep each other amused, and make their own cheese."
●
●