Wondering the best way to explain Occupy Wall Street to your 9-year-old? How about a coloring book? Out today, Occupy is a 36-page coloring book depicting the events and opinions surrounding the Occupy movement.
“Jealousy baffles me. It’s so mysterious and it’s so pervasive. … And yet I’ve never read a study that can parse to me its loneliness, or its longevity, or its grim thrill. For that, we have to go to fiction because the novel is the lab that has studied jealousy in every possible configuration. In fact, I don’t know that it’s an exaggeration to say that if we didn’t have jealousy, we wouldn’t even have literature.” New York Times Book Review editor Parul Sehgal takes listeners to church in her TED Talk, “Ode to Envy.”
The “Bloggies” are back. Looking at this year’s nominees, our thoughts from last year still hold true.We try not to rag on the NBCC too much around here, but inadvertently giving your big book recommending initiative the same name as a wildly popular reading-focused social network just smacks of cluelessness.People are still ripping on litblogs. This time, it’s Bud eloquently defending our honor.The New Yorker has presented its portfolio of winners in its contest to “redefine Eustace Tilley,” the magazine’s dapper icon.Free, downloadable mini-books from Chicago’s Featherproof BooksDoes Malcolm Gladwell’s The Tipping Point hold up in the real world? Not exactly.FSG’s Lorin Stein reviews Norman Rush’s Mortals: “the most brilliant book of the new century [maybe].”Granta’s 100th issue (congrats!) is here. William Boyd’s introduction offers up some history on the magazine.Just in time for “Super Tuesday,” Michael Chabon throws his hat in the ring for ObamaAttention “Oregon Trail” fans, outdoor equipment company Thule offers a goofy remake of the game. Ah, advertainment. (via)Finally, an important question, answered.
“Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor ‘useful.’ He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive.” Every time James Wood publishes a big profile in The New Yorker, it’s worth a read; this week’s essay on the “secular psalmist” and poet Yehuda Amichai is no different.
“Perhaps this is why King favors prose—many of his novels and stories confront terror so enormous it transcends poetic language.” In Poetry Foundation, an essay about Stephen King‘s little known literary habit: writing poetry. Pair with: our editor Lydia Kiesling on discovering America through King’s novels.