Stanford’s next round of free online courses includes Cryptography, Human-Computer Interaction, and Game Theory.
Yet another open archive for your summer reading enjoyment: the Baffler ("the Journal that Blunts the Cutting Edge"), as part of a website redesign, has made available its entire back catalog of commentary and fiction. Might I suggest starting with this now-charmingly-antiquated piece on marketing to the youthful "hipster" generation? (The Paris Review has other suggestions. It's hard to go wrong.)
Today's edition of Book Reviews Worth Reading: Kathryn Schulz's first official outing as the book critic for New York Magazine (on the late Anthony Shadid's House of Stone) and Anti-Matter author Ben Jeffery's take on Houellebecq's The Map and the Territory. (While you're at it, you might as well read Elaine Blair nailing Houellebecq at the NYRB (in the second-best possible way)...or our own Bill Morris' défense.
"Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?" Kazuo Ishiguro on film, and other novelists' second-favorite art forms.
A couple months ago, Melville House published a biography of Roberto Bolaño, constructed from interviews the author gave throughout his life. At Full-Stop, Andrew Mitchell Davenport reads the biography, suggesting that the preponderance of myths about the author “makes elucidating Bolaño’s biography a moral issue.” Pair with: our own Garth Risk Hallberg’s Bolaño syllabus.
"Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else." Our own Emily St. John Mandel writes about "the vast distance between literary prizes and literary work" and reading Norman Mailer for The Atlantic's By Heart series (which we've covered many, many times before).