Stanford’s next round of free online courses includes Cryptography, Human-Computer Interaction, and Game Theory.
Stanford Online Courses
The Kite and the String
“Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill.” The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked–and tied, moreover, to mental illness–based in part on a sample of students at Iowa Writer’s Workshop. Pair with another essay on creativity and the “touch of madness” from our own archives.
●
●
2 1/2 Football Fields of Books
After winning The International Design Association’s 2012 Library Interior Design Competition, MS&R won funding to convert an abandoned Walmart in McAllen, Texas into a sprawling 124,500 square foot library. McAllen now home to the United States’ largest single-story library.
The New Yorker Says No to The New Yorker
The greatest trick David Cameron ever pulled was getting The New Yorker to reject itself.
Mailerrific
Electric Literature held a Twitter contest recently in which their followers invented new literary neologisms for a chance to win copies of Carson Mell’s new e-book Saguaro. For my money, the clear winner was “Vonnegutsy: having the fortitude to mix aspects of genre fiction with literary fiction.”
From Isolation to Affluence
“It’s likely Lucia would have felt more comfortable watching a bull be gored in a Mexico City arena or huddling among winos on a corner in Oakland than she ever felt at her first place on posh Mapleton Hill.” Elizabeth Geoghegan for The Paris Review on Lucia Berlin, whose A Manual For Cleaning Women is out now.
●
●
The Art of Fiction with Imre Kertész
The Paris Review’s interview with Hungarian author (and recent retiree) Imre Kertész is up on their website now, and to celebrate the occasion the magazine is offering a $10 discount on subscriptions. The promo code is good all week long.
●
●
Melancholy Maurice Sendak Speaks
Where the Wild Things Are author/illustrator Maurice Sendak, 82, wistfully reflects on age, love, and mortality in this interview, after a mural he painted in New York was restored and moved to the Rosenbach Museum in Philadelphia. (via @BookBench)
●
●
Confessing / Confiding
“I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes.” Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.