M. Evelina Galang, author of Her Wild American Self and current director of the University of Miami’s MFA Creative Writing Program, is featured in the latest issue of Kartika Review, “a national Asian/Pacific Islander American literary arts journal.” You can read the entire Fall 2011 issue for free.
This past Sunday the American Library Association gave out the first Carnegie Medals for Excellence in Fiction and Nonfiction to Robert K. Massie’s Catherine the Great: Portrait of a Woman and Anne Enright’s The Forgotten Waltz. Also be sure to check out our interview with Enright.
All of us have particular words that we use a little too often. Writers tend to be embarrassed about their predilections for certain turns of phrase. At Slate, Matthew J.X. Malady reacts to the news that he uses iteration too much, and delves into the ways our verbal habits spread to others.
Amidst all the sad tales of great bookstores going under, the Strand remains a fixture of the New York lit scene. At Vulture, Chris Bonanos explores the many reasons why the Strand is still afloat, among them the store’s increasing sales of new books. You could also read our own Janet Potter on her lifelong infatuation with bookstores.
Maybe nobody read your first, or last, most recent or only book, but writer, take heart: nobody read the work of these 10 great authors either.
“The literature by Vietnamese and Vietnamese-Americans is out there for anyone who knows how to use Google. But so many here and abroad would rather not know, or when a new Vietnamese author is published, would prefer to say, ‘At last! A voice for the Vietnamese!’ In fact, there are so many voices, for the Vietnamese people are very loud.” Pulitzer Prize winner and Year in Reading alumnus Viet Thanh Nguyen (The Sympathizer) writes in The New York Times about the diversity of Vietnamese writing, too often ignored in favor of war narratives and the voices of American veterans. (For an incredible syllabus of books to fill in the gaps, see the middle of his piece.)