A thoughtful piece of fiction to mark the November 10 anniversary of Atatürk‘s death.
All Millions readers are invited to join us at McNally Jackson bookstore in New York to celebrate the release of The Late American Novel: Writers on the Future of Books. I'll be joined by my co-editor Jeff Martin, as well as Reif Larsen and Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. It's shaping up to be a fun night; hope to see you there!
“The short story is an odd form, forever dying out or undergoing a revival, impossible to define, sometimes seeming to be united by being nothing more than a text which happens to occupy around thirty pages or less: novels for people who can’t be arsed reading novels. Yet the best stories in both of these books show what the form is capable of: the world reflected in a puddle, the light gleaming for an instant, fireflies.” C.D. Rose reviews New American Stories, edited by Ben Marcus, for 3:AM Magazine.
“I’m writing about people. Man involved in the human dilemma, facing the problems bigger than he, whether he licks them or whether they lick him. But man as frail and fragile as he is, yet he will keep on trying to be brave and honest and compassionate, and that, to me, is very fine and very interesting — and that is the reason I think any writer writes.” William Faulkner on why writers write in a rare recording from the University of Virginia, via Brain Pickings.
Following its interview with Yelena Akhtiorskaya, Bookforum published its review of the author’s debut novel, Panic in a Suitcase. As in many other books that take place in the post-Cold War age, the plot centers on a group of Ukrainian immigrants, fresh out of the former Soviet Union, who set up new lives in America. However, despite the subject matter, it’s a bit too reductive, Chloé Cooper-Jones writes, to classify the book as an immigrant novel. For more on the book, read Matthew Wolfson’s Millions review.