New releases this week include the much-hyped The Autobiography of Mark Twain, Volume I. Also out in nonfiction is President Obama’s picture book Of Thee I Sing: A Letter to My Daughters, Unbroken by Laura Hillenbrand (author of Seabiscuit), as reviewed by the New York Times, Siddhartha Mukherjee’s The Emperor of All Maladies: A Biography of Cancer, and, for hip-hop fans, Jay-Z’s memoir Decoded.
We get it, you’re into finance — but what can you tell me about lit crit? This piece from The Atlantic purports to show how literary theory has its place in the world of finance: “The act of imagining the future in finance goes by other names—’vision’ and ‘invention’ are among the more respectable euphemisms—in order to disguise the presence of the non-rational in financial activity. But rarely do scholars explore the role of imagination in economic life systematically. In a realm dominated by economic and financial scholarship that aspires to be ‘scientific,’ fantasy and creativity in envisioning the future are often ignored; they don’t fit well into a model of research whose aim is to reduce unknowns and to eliminate surprises as much as possible.”
Last week, I told you about Rebecca Solnit’s essay “Eighty Books No Woman Should Read,” which is a tongue-in-cheek riff on Esquire’s “80 Books Every Man Must Read” list. Now, here’s a fascinating rebuttal from Electric Literature in which Sigal Samuel ponders what might be gained by reading sexist old white guys.
“Certain words have gone from being shocking to being neutered,” says Glamour editor in chief Cindi Leive, who has embraced the printing of “vulgar words” on her magazine’s cover since November of 2011. Ms. Leive is one of several women’s magazine editors who believe “magazines are catching up with other media, where women have been using explicit language for years.”