Make sure you vote for the 2011 Goodreads Choice Awards! (And make sure you join our Goodreads group afterwards!)
Goodreads Choice Awards
Revenge Book Trailer
Behold the creepy beauty of the book trailer for Revenge, Yoko Ogawa’s latest collection of stories. It’s a collection haunted not only by the shadow of Haruki Murakami, writes NPR’s Alan Cheuse, but also “the shadow of Borges.”
Getting Graphic
Hyperallergic has excerpts from Rokudenashiko’s graphic memoir What Is Obscenity? The Story of a Good For Nothing Artist and Her Pussy, which Michael Melgaard recently reviewed at The Millions.
Start Something New
A Betsy Lerner follower asks Betsy what to do when you hit the wall at page 60 of your novel–of every novel you try to write. Betsy’s answer? Try novellas.
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Time Keeps On Slippin’
“What does it even mean to say that I am experiencing my life in a jumpy, random sort of manner? Each instant of my experience is the experience, whatever its temporal relation to other experiences. So long as the memories are consistent, what meaning can be attached to the claim that my life happens in a jumbled sequence?” Physicist Paul Davies on why you can’t remember your future.
Can’t Stop Won’t Stop
“I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages.” Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.
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At What Age?
This week in book-related infographics: a look at “What Age Do Writers Publish Their Most Famous Works?” from Electric Literature.
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The Millions on Twitter
Attn Twitterers: Some folks have been following me @cmaxmagee, but starting today we’ll be using @The_Millions for the occasional books- and Millions-related “tweet.” If you are the twittering type, throw a “follow” our way (and spread the word). (Thanks to my brother Phil for securing and holding onto @The_Millions until I finally got around to using it.)
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In/sane
If you’re not already a fan of Will Self, his new book, Shark, may not be the best place to start. As Walker Rutter-Bowman points out, the book dispatches with many of the conventions of modern writing, including line breaks, paragraphs and dialogue tags. But it’s still an effort worthy of its author, he writes: “Here is a hunk of modernism that poignantly, beautifully, and, it seems, genuinely renders mental states of sanity and insanity while smudging the gradations in between.”
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