“Rockslide Sky,” an exhibition of art inspired by Roberto Bolaño‘s story “Gomez Palacio,” has just completed its run at Fordham University’s Center Gallery/Lipani Gallery…but a slideshow lives on in cyberspace. (I like feel this one would have made a nice cover for Last Evenings on Earth, but Bolañophiles may want to click through all 18.)
The practice of naming children after a dead sibling was surprisingly common up until the late-nineteenth century–Salvador Dali, Ludwig Van Beethoven, and Vincent Van Gogh were each “necroynms,” or the second of their name. Jeannie Vasco’s essay for The Believer on necronyms and grief is perfect to read alongside this essay for The Millions by Chloe Benjamin on naming not humans, but novels.
Accusations of plagiarism – the real kind, which is not to be confused with “self-plagiarism” – just keep following Turkish writer Elif Şafak, don’t they? Lydia Kiesling previously reported on the fiasco around her book Iskender last August, but now more allegations are surrounding the cover art on Şafak’s latest novel, Şemspare.
The Empathy Exams, a new collection of essays by Leslie Jamison, gets its title from a piece about medical acting that was published in The Believer. On the Harper’s blog, you can read an interview with Jamison, who calls her collection “a refusal to choose between these approaches — criticism, confession, journalism.” (Michelle Huneven interviewed Jamison for The Millions a couple of years ago.)