In The New York Review of Books, Anthony Grafton has a long piece on the issues facing the American university system. I’ve previously linked to Malcolm Harris‘ excellent n+1 piece on the “higher education bubble,” but this infographic vividly illustrates that same inflation.
George Bernard Shaw had a strange relationship with Nietzsche. Alternately envious and dismissive of the German philosopher, Shaw once said he wanted to be an intellectual in Nietzsche’s mold, though he also felt Nietzsche’s thinking was addled and self-absorbed. In an essay for The New Statesman, Michael Holroyd tries to make sense of Shaw’s views.
Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d'Angoulême – the largest comics festival in Europe – concerns the "volley of riches and failure from the desk of an obituary writer." As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.
As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
Earlier today, the Guggenheim Foundation announced this year's Fellows, and the names on their list include a few that Millions readers will recognize. On the fiction side, there's contributor Laila Lalami along with Year in Reading alumni Jess Row and Jesse Ball, while in nonfiction and poetry, there's Amanda Petrusich along with Adam Kirsch, Chris Kraus and Deborah Landau. The winners each receive a sizeable cash grant.
The fuss is currently over John D'Agata and Jim Fingal's clashes over factual accuracy, but frankly I'm tired of hearing about it. Maybe it's because it sounds so reminiscent of David Shields' Reality Hunger (2010). Or, better yet, maybe it's because it sounds so reminiscent of David Sedaris' Naked (1997).
Although Gabriel García Márquez died last week, there might be a new story on the way. According to his editor, Márquez left behind one manuscript, "We'll See Each Other in August," that he didn't intend to publish, and his family is still deciding whether to honor his wishes.