Ever want to watch someone write a novel? Nows your chance. Sorta. Silvia Hartmann, UK author of thriller novels, is inviting readers to observe as she types up her next novel in a Google doc.
“I fought the urge to throw up in my hands as I asked myself, ‘How the fuck did I get here?’” When you’re a jewel mule, as Kayli Stollak describes in this piece for The Establishment (via Narratively), going through customs can be a little stressful. For more lurid tales of crime and aristocratic extravagance, see our own Matt Seidel‘s review of Making Monte Carlo: A History of Speculation and Spectacle.
Out this week: The Wall by H.G. Adler; How to Be Both by Ali Smith; Screenplay by MacDonald Harris; Woman with a Gun by Phillip Margolin; Essays after Eighty by Donald Hall; Selected Letters by Norman Mailer; and Skylight by the late Nobel laureate José Saramago. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
Nobody wants to be a Hufflepuff! Over at The Atlantic, David Sims defends the oft-maligned Harry Potter house for their egalitarian ethos and general goodness. At The Millions, Michelle Dean’s essay about the value of J.K. Rowling’s Potter series will have you wanting to give them a re-read.
Next week, the folks at Literary Death Match are bringing literature into the third dimension by staging “LDM TV: The Pilot.” Two shows consisting of four readers apiece will take place in Los Angeles, and performances will be judged by a killer lineup including such notables as Susan Orlean, Michael C. Hall, Moby and Tig Notaro. Full event details can be found here. For what it’s worth, I still rank Matt Gajewski’s LDM performance as my all-time favorite, so Beau Sia, Simon Rich, Daniel Alarcón and company have their work cut out for them.