Gary Shteyngart, Philip Pullman, James Wood, and three other literary bigwigs share their book-collecting habits.
“Every evening we spent an hour and a half in the drawing-room, and, as far back as I can remember, he found some way of amusing us himself…many of the great English poems now seem to me inseparable from my father; I hear in them not only his voice, but in some sort his teaching and belief,” Virginia Woolf wrote of her father for his biographer, but who was Leslie Stephen, exactly?
Last November, the University of Southern California announced that it would stop offering a Masters in Professional Writing, ending a program that counts Richard Yates and Hubert Selby, Jr. among its faculty alumni. At The Nervous Breakdown, Aram Saroyan (son of William) looks back on his time as an instructor.
“I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense.” A Vanity Fair interview with Emily Nemens, The Paris Review’s new editor. And here’s a list of 20 reasons you should absolutely be reading literary magazines.
Recommended Viewing: This installment of The Paris Review’s “My First Time” series, in which poet Ben Lerner remembers “working under the sign of crisis” and attempting to find a publisher for his first book, The Lichtenberg Figures. A couple of Lerner-related pieces from The Millions: a review of his newest novel, 10:04, and a Year in Reading from back in 2014.
Psychotherapist Ariel Garten redefines consciousness at TEDx Toronto. “The problem with escaping your day-to-day life,” she says, “is that you have to come home eventually.” Her question, which she answers in the affirmative, is whether we can “find ways to know ourselves without the escape? Can we redefine our relationship with the technologized world in order to have the heightened sense of self-awareness that we seek? Can we live here and now in our wired web, and still follow those ancient instructions: ‘Know thyself’?”