Gary Shteyngart, Philip Pullman, James Wood, and three other literary bigwigs share their book-collecting habits.
Bigwig Book Collectors
Resolution
“I almost understand why God laid this affliction on him.” A new piece of fiction by Annie Proulx is always worth a read. Fun fact: there was a time in her career when Proulx had to pretend she was a man in order to be published.
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Summer Book Sale
New York Review Books is having a Summer Sale, featuring heavily discounted works by Mavis Gallant (who we’ve reviewed and whose books appear in several of our articles), Balzac and many others. There’s even a Bird Lovers’ collection, for anyone wanting to read all about falcons and something called a goshawk.
Love and Blue Globes
Recommended Reading: “Three Things I Have Never Told Anyone,” an essay on love, blue globes and things unsaid by Ayşe Papatya Bucak.
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Saving Hughes’s House
Last-minute signal boost! You have a few more hours to donate to I, Too, Arts Collective‘s campaign to convert Langston Hughes‘s former home into a non-profit cultural center. See also: our own Emily Wilkinson’s review of his Tambourines to Glory.
Happy Birthday, W.C.W.
William Carlos Williams‘s birthday was this last week, and Adam Kirsch writes about the poet for New York Review of Books. Though he argues that “today it would be hard to find a reader of poetry who would not acknowledge William Carlos Williams as one of the major American modernists” Kirsch still has to face the question, “why is it, then, that almost fifty years after his death, the reputation of [Williams] still seems to be haunted by a ghost of uncertainty?”
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Bright Lights, Big Themes
A lot has already been said about Nicolas Winding Refn’s newest and arguably most provocative film, Neon Demon. At The Rumpus, Jeffery Edalatpour examines beauty and its extremes, and also asks a couple questions of the director, himself: “Refn has revised the mythology of Aphrodite; she dons as much armor as Athena, enjoying nothing but the hunt. When I asked the director if he could cite any visual influences, his flat affect implied disdain for my simplistic question: ‘I just photograph what I find interesting. I believe that women are more powerful and more interesting than men. It’s just very much what I like to fantasize about.’ Fair enough.”