Barnes & Noble’s newest device, Nook Tablet, was unveiled yesterday. At $249, it’s modestly more expensive than Kindle Fire at $199, but half the price of the iPad, which sells for $499 and up. And from a technological perspective, it may be closer to the iPad. So what will this mean for the last major brick-and-mortar bookseller?
Barnes & Noble’s New Bag
NBCC Award Winners Announced
The National Book Critics Circle Awards were announced last night, and the winners might be familiar to Millions readers: last year, our own Matt Seidel reviewed fiction prize winner The Sellout, and the Football Book Club read Maggie Nelson's winner in the criticism field, The Argonauts. Head on over to The Guardian for more details.
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One Voice, Two Voice
The unreliable narrator is a bit of a cliche, but it’s still possible to write a good story that features one. At The Rumpus, Alex Dueben talks with Robert Boswell about his new book, which uses a technique Boswell calls “unreliable omniscience.”
Brow Raised
Not highbrow, not lowbrow, not even middlebrow - is American culture now dominated by the upper middle brow?
Tuesday New Release Day: Koch; Shin; Henríquez, Foulds, Walsh, O’Neill; Dybek
New this week: Summer House With Swimming Pool by Hermann Koch; I’ll Be Right There by Kyung-Sook Shin; The Book of Unknown Americans by Year in Reading alum Cristina Henríquez; In the Wolf’s Mouth by Adam Foulds; The Lemon Grove by Helen Walsh; The Girl Who was Saturday Night by Helen O’Neill; and two new books, Paper Lantern and Ecstatic Cahoots, by Stuart Dybek.
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Stalker Sunday
In celebration of Geoff Dyer's Zona, discussed on The Millions here and here, Galley Cat is hosting an online viewing party of Tarkovsky's Stalker this Sunday.
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The Perils of Contact
The Perils of 'Contact Me': in an essay in the New York Times, Ben Yagoda wonders whether authors have made themselves too accessible to readers.
Said the Gramophone
Over at Words Without Borders, Esther Allen considers how to translate a song. As she puts it, “A song that almost everyone in a given culture at a given moment knows is a unique cultural artifact, a crystallized collective experience, a profound trigger that sets off a complex string of shared emotions.” Pair with Magdalena Edwards’s Millions essay on songs as triggers.
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