This weekend is the last chance to visit the International Antiquarian Book Fair in Boston. Included are a collection of Bonnie and Clyde photos and an illustrated letter from Alexander Graham Bell to his parents describing problems with his phone invention.
Attn Twitterers: Some folks have been following me @cmaxmagee, but starting today we’ll be using @The_Millions for the occasional books- and Millions-related “tweet.” If you are the twittering type, throw a “follow” our way (and spread the word). (Thanks to my brother Phil for securing and holding onto @The_Millions until I finally got around to using it.)
A literary event with an extremely star-studded guest list will be held next month for a good cause. The World’s Most Literary Rent Party Ever will raise money for author Charles Bock’s wife, who is receiving treatment for leukemia, and will include Jonathan Franzen, Jonathan Safran Foer, Mary Gaitskill, Joshua Ferris, Rivka Galchen, Amy Hempel, Nicole Krauss, Rick Moody, Richard Price, George Saunders, and quite a few others.
“We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. … [so] there must be techniques and tools that everyone can use or try, even if we use them differently.” Tim Parks explains how he reads for The New York Review of Books.
Congratulations to our own Lydia Kiesling whose essay “Proust’s Arabesk: The Museum of Innocence by Orhan Pamuk” has taken third place in the 3 Quarks Daily 2010 Prize in Arts & Literature as judged by Robert Pinsky.
“This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives.” Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.