Before he died, Kurt Vonnegut gave the go-ahead that has allowed Charles Shields to construct And So It Goes, an incisive, gossipy page-turner of a biography, even if it’s hard to tell just how authorized this book really is.
Sophia Nguyen writes for Harvard Magazine about the Dark Room Collective, a group of black writers of “starry critical mass whose impact on American letters continues to expand.” Pair with her Millions review of Collective member Tracy K. Smith’s new memoir, Ordinary Light.
Mallory Ortberg of The Toast, whose Ayn Rand-inspired versions of Harry Potter and the Half-Blood Prince and You’ve Got Mail we told you about a few months ago, is back it at again. Now Rand (er, I mean, Ortberg) has her sights set on the dubiously libertarian children’s classic If You Give a Mouse a Cookie. If we give you the article, you’ll probably ask us for an essay by Gary Percesepe about meeting Ayn Rand’s editor to go along with it.
“Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income.” Electric Literature has compiled the “The Ten Ways Your Life Will Change After You Publish Your First Book,” so you can’t say you weren’t warned.