Before he died, Kurt Vonnegut gave the go-ahead that has allowed Charles Shields to construct And So It Goes, an incisive, gossipy page-turner of a biography, even if it’s hard to tell just how authorized this book really is.
Since his death in 1950, George Orwell has grown more and more popular, so much so that his eponymous adjective is now widely used even by ideological enemies. So how did this state of affairs come about? In the new Intelligent Life, an offshoot of The Economist, Robert Butler delves into the story of how Orwell became an icon. Pair with: Vishwas Gaitonde on his visit to Orwell’s birthplace.
The CIA might just be America’s most literary government agency, no? Not only did they (maybe) help fund the early days of The Paris Review but, according to Eric Bennett, the group also funded the nation’s most prestigious and storied creative writing program. Over on Iowa Public Radio, you can hear some details.
Recommended Reading: In which a great translator takes on a nearly impossible project: “Schmidt violates the rules of orthography and punctuation throughout the book, and its sprawling conversations cover James Joyce, trees, magic, the moon, and Xerxes, among many other things. After getting Zettel’s Traum out of his system, Schmidt would go on to write his best works. ‘I had to write it,’ he said. ‘And such a book had to be written sometime.'”
“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.