The Poetry Archive: "The Poetry Archive is the world's premier online collection of recordings of poets reading their work. You can enjoy listening here, free of charge, to the voices of contemporary English-language poets and of poets from the past."A few days ago the New York Times released its usual 100 book "Notable" list, but now we get the really good stuff: the Times top ten of the year. The big surprise: an appearance by Curtis Sittenfeld's "calm and memorably incisive first novel," Prep.Scott and Ed and others have already noted this, but I just got around to reading it: the NYRB piece on our latest National Book Award winner, William T. Vollmann.Also noted by many litblogs, the ever-multitasking Bud has launched a sleek litblog network/aggregator/community: MetaxuCafe. Very cool.
Who killed the literary critic?: "In the age of blogging, great critics appear to be on life support. Salon's book reviewers discuss snobbery, how to make criticism fun and the need for cultural gatekeepers." The ongoing, seemingly never ending discussion of the death of literature and criticism continues, though Salon's interest in "how to make criticism fun" is a promising sign.Online used book marketplace AbeBooks looks at the yearbook collecting subculture. The most expensive yearbook to every be sold on the site? The Ole Miss Yearbook 1921 containing "William Faulkner's poem, 'Nocturne,' in facsimile of the author's stylized printing over a two-page spread along with several Faulkner drawings."Buzz presents the Nixon Rock on his Madonna of the Toast blog.Carolyn has been on an enviable literary-themed roadtrip. Luckily we can read along at home.
There are reality TV shows for aspiring designers, singers, and chefs, so what about writers? The Italian reality show Masterpiece will pit writers against each other in competition for a book deal. As judge Giancarlo De Cataldo said, “The book is dying, and we must do everything we can to save it. Even a talent show.” We expect a lot of dramatic crying at typewriters.
It's not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here's an older piece from the same series in which Paul Lisicky writes about Flannery O'Connor and her "flawed characters."