Filmmaker and author Morgan Spurlock posted a casting call for writers who have failed to write the next Great American Novel. Spurlock will choose a few lucky failures from the New York area to feature in an upcoming documentary series.
“I am writing a book my father will never see. Not in its entirety, not out in the world.” For Longreads, Nicole Chung writes about adoption, family, writing, and finishing her upcoming memoir, All You Can Ever Know, in the wake of her father’s sudden death. Pair with: Julie Buntin‘s Year in Reading entry which feature’s Chung’s memoir.
Attn Twitterers: Some folks have been following me @cmaxmagee, but starting today we’ll be using @The_Millions for the occasional books- and Millions-related “tweet.” If you are the twittering type, throw a “follow” our way (and spread the word). (Thanks to my brother Phil for securing and holding onto @The_Millions until I finally got around to using it.)
Most actors don’t go on The Tonight Show to promote literature, but leave it to James Franco to be the first to brag about getting his poetry M.F.A. to Jimmy Fallon. He discussed his new book, Directing Herbert White, and his mentor Frank Bidart. For more on the Bidart/Franco friendship, check out our own Janet Potter’s recap of attending an event featuring the two writers.
Beginning with the same premise—one can only read so many books in a given lifetime—two authors write very different articles: Maria Bustillos lists the recommendations of George Orwell, Henry Miller, and John Waters that she’s followed in an effort to maximize her short reading life. Marc Wortman wonders if authors are being paid by the page and, given our short lives, whether we should even bother with the behemoth volumes coming out recently.
“As much as there is an evergreen fascination for Christie’s stories, there’s also an alluring air of mystery surrounding the woman herself.” Broadly explores the enduring nature of Agatha Christie‘s stories, the recent surge in adaptations (including Murder on the Orient Express), and the mysterious 11-day disappearance of the writer herself. From our archives: an essay on the sometimes inherent predictability of the mystery genre.