Nathaniel Philbrick answers the question Why Read Moby-Dick: “the level of the language is like no other,” but also “it’s as close to being our American Bible as we have.”
Why Read Moby Dick?
The Men Who Stare at Goats
What would the child of The Big Lebowski characters The Dude (Jeff Bridges) and Walter Sobchak (John Goodman) look like? Maybe like Lt. Col. Django (Bridges, again), one of the characters in Grant Heslov‘s The Men Who Stare at Goats, set to release in November, a comedy about the U.S. military’s attempt to train psychic soldiers (based on the book by Jon Ronson).
“Everybody thinks they’re worth more than they’re being paid”
“I can’t imagine how difficult it would be to jauntily denigrate 27.8 million—that’s the number of American workers who make less than $10.10 an hour,” yet, in The Morning News, a close reading of a few hundred letters to the editor about the minimum wage shows other Americans doing just that.
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Double Sided
Two ways of looking at a book: “Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page.”
On bad taste
In the world of fine art, is there such a thing as bad taste anymore? Based on the recent Swedish MOMA cake controversy, I’d say, um, heck yes.
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Adaptation Progress Report
This week in book-to-film adaptations: Meredith Goldstein rounds up some possible and upcoming projects for The Boston Globe, including adaptations of The Goldfinch (which we cast here) and our own Emily St. John Mandel‘s Station Eleven.
Ghosts of Novels
It’s always disappointing when your novel fails to get published, but what if that novel were still lurking online? At The New York Times, Jason K. Friedman writes about finding the Amazon and Google links for his novel that never made it to print. “Google admits, ‘We haven’t found any reviews in the usual places,’ which in this case would be the planet Earth.” Pair with: Our own Edan Lepucki’s essay on how to cope with not selling your novel.
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Writing Educates the Self
Alexandra Alter interviews National Book Award winner Ta-Nehisi Coates about the success of Between the World and Me. As he puts it, “The best part of writing is really to educate yourself. I don’t want to be anybody’s expert. I came in to learn.” Pair with our own Sonya Chung’s Millions piece on Coates’s epistolary essay.