“What I want to argue is that we in contemporary English and literature departments need to think instead about how to keep doing abstraction, but better—how can we 'own' it, as my students might say, rather than wish it away.” Jeanne-Marie Jackson writes at 3:AM Magazine about comparative literature, the public, and politics.
Three Percent is organizing a “World Cup of Literature” to coincide with the international soccer tournament’s June 12th beginning. The rules are simple: literature from each of the 32 countries in the actual World Cup will be put into a “32-book knock-out tournament,” and “each ‘match’ will pit two books against one another and will be judged by one of … fifteen illustrious judges.” Who’s your early favorite? (Bonus: “What happened when 10 European poets were asked to portray their home country in verse ahead of the European elections?”)
Last year, I pointed readers to Numero Cinq, a new Canadian lit mag with a notably memorable tagline. In the latest issue, which is split into seventeen parts, Benjamin Woodard talks with Lydia Davis about her Flaubert translation, her new story collection and the art of writing while traveling. (h/t The Rumpus)
"In creative writing, I teach that characters arise out of our need for them. By now, the person I created in New York was the only one I wanted to be. ...Eight years after reaching the end of myself, I was on borrowed time. Whether it was in a plane or a coffin, I knew I had to get out of Jamaica." Marlon James, author of The Book of Night Women, which once gave me so much trouble, and whose novel A Brief History of Seven Killings the Book Report covered here, writes for the New York Times Magazine about leaving Jamaica to find himself in Minnesota.