For the past 17 years, the Rona Jaffe Foundation Writers' Award has celebrated "six women writers who demonstrate excellence and promise in the early stages of their careers." This year's winners are Melanie Diane (poetry), Apricot Irving (nonfiction), Fowzia Karimi (fiction), Namwali Serpell (fiction), Merritt Tierce (fiction), and JoAnn Wypijewski (nonfiction). They will accept their awards on September 22 in New York City.
Ben Lerner has a story [subscription required] in this week's New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in "activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting."
New this week: 4321 by Paul Auster; The Animators by Kayla Rae Whitaker; Mr. Iyer Goes to War by Ryan Lobo; The Man Who Never Stopped Sleeping by Aharon Appelfeld; and The Evenings by Gerard Reve. For more on these and other new titles, go read our most recent book preview.
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I'd never done it before. But I thought I could write a sequence. Then I had a chapter.”