There is a controversy brewing right now in Britain about readability and excellence in literature. Apparently, being “readable” is no longer a compliment.
What’s Wrong with a Readable Book?
“You could say that the book [A Sport and a Pastime] is a long poem to provincial France.”
In a video introduced by Paul Yoon, James Salter (who was recently interviewed by our own Sonya Chung) speaks about his time in France and his experience writing A Sport and a Pastime.
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Jewcy Nicole Krauss
Online magazine Jewcy has relaunched, showcasing pieces on a wide variety of topics, including this recent interview with Nicole Krauss covering her new novel Great House.
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Gatsby As He Was; Gatsby As He Will Be
The hype keeps building for Baz Luhrmann’s oft-delayed Great Gatsby adaptation. The first trailer had the whole internet up in a tizzy, and now the latest teaser from Beyoncé and Andre 3000’s “Back to Black” cover has even more people interested. Perhaps, in order to wind down, we should all check out the first cinematic reworking of Fitzgerald’s classic. Over at Open Culture, fans can get a look at The Only Known Footage of the 1926 Film Adaptation of The Great Gatsby (Which F. Scott Fitzgerald Hated).
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Your Life Will Change
“Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income.” Electric Literature has compiled the “The Ten Ways Your Life Will Change After You Publish Your First Book,” so you can’t say you weren’t warned.
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An excellent article and an apropos analogy. I see nothing wrong with a readable book and Julian Barnes was an excellent choice. There are many books that I have tried to read that were just too turgid in style to make the effort worthwhile. Many of them works of great acclaim, Molloy is one that stands out in my mind, and William Gass’s The Tower, and anything by David Foster Wallace. But then again, so is Dan Brown unreadable, in my opinion, because he writes for people with a taste for story but no taste for language. There is a very fine line between pure story telling and pure writing, somewhat akin to a tightrope, upon which literature exists. Getting the balance right is what makes all the difference.