There is a controversy brewing right now in Britain about readability and excellence in literature. Apparently, being “readable” is no longer a compliment.
What’s Wrong with a Readable Book?
On Ebooks on the Cheap
Chad Post of Open Letter Books writes a compelling piece on the devaluing impact of ebook pricing, and why, despite that, Open Letter not only now offers ebooks, it put them all on sale for $4.99 for the month of June.
Ever Thus
Recommended Reading: Gary Krist on the friendship-gone-wrong of John Dos Passos and Ernest Hemingway.
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Tuesday New Release Day: Frame, London, Stafford, Tennyson, Bennet
Janet Frame’s posthumous novel In the Memorial Room is out this week, as is a new e-book edition of Jack London’s The Sea Wolf. Also out: Ask Me: 100 Essential Poems by the onetime Poet Laureate William Stafford; a new biography of Alfred, Lord Tennyson; and the latest edition of The Best American Magazine Writing.
Oh, and congrats, btw.
“I Didn’t Tell Facebook I’m Engaged, So Why Is It Asking About My Fiancé?” or, FB continues to make people feel a little awkward.
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Twerking with Morgan Freeman
You might have heard that “twerk” (among other words) has been added to the Oxford Dictionaries Online. But you probably didn’t hear Morgan Freeman reading the definition aloud.
Longstanding Controversy
Nowadays, Huck Finn is as a lightning rod for racial issues, which explains why so many schools have banned the book over the years. But in the late 18th century, when Mark Twain published it, the novel was more controversial as a critique of childhood in America. In the Times, Year in Reading alum Parul Sehgal reads Huck Finn’s America, a new book by Andrew Levy that sheds light on the context of the era. You could also read our founder C. Max Magee on reading Huck Finn as a child.
An excellent article and an apropos analogy. I see nothing wrong with a readable book and Julian Barnes was an excellent choice. There are many books that I have tried to read that were just too turgid in style to make the effort worthwhile. Many of them works of great acclaim, Molloy is one that stands out in my mind, and William Gass’s The Tower, and anything by David Foster Wallace. But then again, so is Dan Brown unreadable, in my opinion, because he writes for people with a taste for story but no taste for language. There is a very fine line between pure story telling and pure writing, somewhat akin to a tightrope, upon which literature exists. Getting the balance right is what makes all the difference.