In a New York Times op-ed piece on violence in children’s literature, Maria Tatar claims that “the savagery we offer children today is more unforgiving than it once was.” Is that really the case? Adam Gidwitz‘s A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm’s tales, can be read as a counterpoint.
“While I’m glad we’ve had this chance to talk, because of time constraints I cannot answer these basic questions about race and how racism works.” Colson Whitehead considers new business cards. See our review of his Pulitzer-winning The Underground Railroad here.
Pulitzer Prize-winning author James Alan McPherson has passed away at 72. His anthology Elbow Room won the Pulitzer for fiction in 1978. He was one of the first individuals to receive a genius grant from the MacArthur Foundation. He graduated from Harvard Law school, but instead decided to pursue writing and later earned an MFA from the Writers’ Workshop at the University of Iowa, where he was a professor emeritus.
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.