In a New York Times op-ed piece on violence in children’s literature, Maria Tatar claims that “the savagery we offer children today is more unforgiving than it once was.” Is that really the case? Adam Gidwitz‘s A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm’s tales, can be read as a counterpoint.
The Millions is delighted to welcome new staff writer Marie Myung-Ok Lee, whose first piece for the site publishes today. Marie is the author of Somebody’s Daughter and a novel about medicine forthcoming from Simon and Schuster. You may have seen Marie’s excellent writing in The Atlantic, The New York Times, and many other venues. She teaches fiction at Columbia.
Our own Nick Ripatrazone has been on a roll lately. Apart from the many articles he’s written for The Millions, he’s got a forthcoming collection of short fiction that includes works he published in Esquire and The Kenyon Review. He also published a new poem, “South Africa, 1988,” at The Nervous Breakdown, which you can read in conjunction with his self-interview.
“Unable to replicate the success of his first novel [The Loom of Youth],” writes Philip Quarles, “[Alec Waugh] did create a lasting impact by being credited with inventing the cocktail party when he shocked guests by serving, instead of afternoon tea, rum swizzles.”
If you’ve ever been asked to write a thank-you note, you know that, paradoxically, it can be one of the hardest forms of writing to do well. In light of that, The Morning News has kindly republished their classic guide to writing thank-you notes, written by Leslie Harpold. Sample quote: “If you want to know when you get a genuine pass on writing a note, the litmus test is simple: Do I live under the same roof as the giver?”