Catching you up to speed with two recent literary controversies: 1) Poets & Writers‘ MFA rankings kerfuffle gets a climactic and eloquent summary from The Missouri Review‘s Michael Nye. 2) In response to her Salon article, “How the National Book Awards made themselves irrelevant,” Victor LaValle has some fightin’ words for Laura Miller.
Yet another open archive for your summer reading enjoyment: the Baffler (“the Journal that Blunts the Cutting Edge”), as part of a website redesign, has made available its entire back catalog of commentary and fiction. Might I suggest starting with this now-charmingly-antiquated piece on marketing to the youthful “hipster” generation? (The Paris Review has other suggestions. It’s hard to go wrong.)
Jaden Smith is going from an action movie career to starring in an adaptation of James McBride’s National Book Award-winning The Good Lord Bird. Liev Schreiber will play John Brown. If you’re unsure about casting a rapper to play the protagonist, take it up with McBride, who is also producing the film.
A while back, our own Mark O’Connell argued that Flann O’Brien, in The Poor Mouth, was the funniest writer who ever lived. Now, in an essay, Erin Somersin says the title should go to Mordecai Richler instead. She writes about the Canadian author’s unique sense of humor in a piece for the Ploughshares blog.