The October 15 Boston Book Festival boasts a lot of wonders, but one event you shouldn’t miss is “The Wire” writer and producer George Pelecanos alongside series cast members. They’ll discuss “issues of race, class, and institutional failure as portrayed by the most critically-acclaimed series in television history.” Last month, a similar event was held at Housing Works Bookstore Cafe to launch the issue of Criticism dedicated to “Why The Wire (Still) Matters“.
The Wire
Cities
The Atlantic asks, “Why do cities matter?” In its own way, n+1‘s City by City series can be read as a response.
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The Myth of the “Knausgaard-free Day”
Did Karl Ove Knausgaard’s autobiography become so popular in Norway that the country had to institute “Knausfaard-free days?” Casey N. Cep investigates.
Elmore Leonard’s Detroit
Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
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That Title Alone Deserves A Groan
A decade in the making, Val Kilmer’s one-man play about Mark Twain, Citizen Twain, will finally open this weekend. The Hollywood Reporter caught up with the actor (at a cemetery?) to talk about “his career and the landscape of America.”
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