Remember that story you were going to write about your neighbor's dog but never did? When you're a writer, you have to know when to ditch both the bad and good ideas. At The Atlantic, Bob Brody laments all the stories he'll never write and concludes: "It’s taken me a long time to learn this—that sometimes the best course of action is inaction."
Andrew Phelps interviews Sarah Wolzin, director of MIT's new Open Documentary Lab, which "brings technologists, storytellers, and scholars together to advance the new arts of documentary." The Lab, according to Phelps, is "part think tank, part incubator for filmmakers and hackers."
“Even weeks after its publication, no one agrees on What Happened and Clinton’s ability to assess her own past. But in post-truth America, the truth that becomes history may well be decided by star-rating.” The Guardian considers how Amazon reviews became the new battlefield of US politics. Namechecked in the piece: Nancy MacLean, whom we interviewed about her new book, Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America, here.
The new book Robert Musil and the NonModern offers David Winters a chance to revisit The Man Without Qualities. (While you're at it, check out the essay on literary theory Winters wrote for us in September...and Matthew Gallaway's piece on Musil from January.)
M. Evelina Galang, author of Her Wild American Self and current director of the University of Miami's MFA Creative Writing Program, is featured in the latest issue of Kartika Review, "a national Asian/Pacific Islander American literary arts journal." You can read the entire Fall 2011 issue for free.
Out this week: All the Rage by A.L. Kennedy; The Confabulist by Stephen Galloway; Fallout by Sadie Jones; The Girl Who Saved the King of Sweden by Jonas Jonasson; With My Dog Eyes by Hilda Hilst; Ruby by Cynthia Bond; and The Informed Air by Muriel Spark. For more on these and other new titles, check out our Great 2014 Book Preview.